NaNoWriMo 2012

The National Novel Writing Month begins on Thursday. I do not have aspirations to win this year. I mean, I'd like to win. I'll try to win. But due to a new writing schedule I only write on Sundays. While there are four Sundays in November, I would have to write 12.5k words per Sunday in order to reach 50k by the end of the month. Somehow, I doubt that will happen.

However, I'm still going to write as much as I can once I finish the last edits on The Steampunk Novel. (Which is moving along smoothly, but still has some work to be done.)

The new project is another genre-masher. A little bit of space-opera, a healthy dose of steampunk, a pinch of super-hero epic, a sprinkle of romance with a hint of sociological speculation. I'm really excited about it.

I'm also trying out the method proposed in Save The Cat of starting with a logline as the basis of any outline and subsequent pages. (Since loglines are basically "hooky" short synopses, it's a pretty solid idea. Start from a short summary and expand as you go.)

Here's what I have so far: When Delian, a disgraced warrior with psionic abilities, crashes on the steam-age planet of Ossia all she wants is to let her mind and body heal. But Jakob Halter – the crippled mechanic who rescued her from death - has different aspirations for the physically and mentally extraordinary woman from the stars.

It's not a perfect logline, but it's certainly enough to get me started. (The ideas have already been poking their heads in and I'm having to beat them away with a stick 'til November 1st gets here.)

So, here's to new projects and working my arse off!

Anthology Acceptance

The steampunk shapeshifter story I wrote during the summer has been accepted for The Beast Within 4: Gears and Growls.


I'm very pleased to be working with the editor, Jennifer Brozek. Look for more details in the coming months.

Lessons Learned (Re)Writing a Novel

1.Nothing is as Bad or Good as You First Thought

Rereading a first draft of a novel (or a second or third draft for that matter) is an adventure. I discover brilliant scenes I'd forgotten, unearth little threads of subplot that I don't remember weaving, find little gems of dialogue that make me all happy inside.

I also find a fair number of turds: descriptions that are not as clever as I thought they were when I first put them down on paper, plot holes I can throw a cat through, characters who seem cut from cardboard. Some of it is ugly. And some of it beautiful.

The point is, early drafts are allowed to be a mess, but chances are they are not as bad as you first thought when you typed "The End". That's what revising and editing are for - making the bad better and the good really good.

2. Trust Your Gut

Revisions are hard. There's that constant feeling of "But what if I make it worse?" There's the nagging suspicion that you won't have improved while writing the first draft and the second one will be more of the same drivel. There's the fear that if you try and change things you'll lose the thread of what you loved about the story in the first place.

But beneath all that is a sense of what needs to be fixed. It's the voice that says "That character doesn't serve a purpose here, get rid of her." It's the tingle of intuition that says that your MC's flaws are more interesting than her strengths. It's the whisper that tells you "That person has to die if the danger is real." This is your gut, the muscley side of your subconscious. It is always right.

3. Take Small Bites

Novels are hard to rewrite/revise/edit because they are so much longer than a short story. (Duh, right?) Take small bites, work on it consistently, and don't give up. Much like writing a first draft the middle will probably seem like The Middle from Hades or The Second Act That Ate Chicago. The difference here is that you already know how things end. You can stop to fiddle with an ornery scene that sets up the final conflict. You can take the time to develop that subplot with the romantic secondary character.

Where writing the first draft was a necessary push to get the whole story out on paper, the second (or eighth) draft is about fine tuning all the moving parts. Take it one step at a time. If it takes a week to revise one chapter and only five minutes to revise the next... that's okay. Mashed potatoes take less effort to chew than ciabatta.

4. Set Goals and Celebrate Accomplishments

Aim for a certain number of pages edited/revised at each session. Be honest about what you can accomplish, but give yourself a little challenge too. Just like with word count goals you may miss the mark sometimes. And sometimes you'll go way beyond what you intended to do. But without a goal it's easy to fall into the trap of moving commas around. Really easy.

Goals help you keep in mind that this is not the only chapter that needs work. And don't forget to celebrate when you make progress. That may mean an extra piece of shortbread at tea time or taking the evening off to something fun (or to veg). Whatever you choose to do, don't forget to recognize that you are making progress. Even if it's slower than you'd hoped.